“Remember when emo was actually emo? Me neither but the riduculously stylish Married to the sea sure seem to. Straight up strings and merry korg-keys linger beneath the slightly west coast squeals of singer Nick, all managing to come off a little like Death Cab but braver. ‘Great now i’m in love’ though is a fearless slab that struts around in the jerky pop mould of Weezer, and tune after tune MTTS are truly coming into their own.”
ARTROCKER
“The support act Married to the Sea, a four piece indie band from Liverpool, came onstage at 7.30pm. MTTS have a style that they describe as ‘rowdy pop’ and I’m not going to disagree. Their tracks are upbeat and catchy, with hooks that get you singing along in moments. MTTS ticked all the boxes of a great support act and when The Bluetones came onstage at 8.30pm the audience had grown excited and were ready for the main act. I would definitely recommend Married to the Sea to anyone who enjoys a good dance to a slice of energy-fuelled indie-pop.”
HIVE MAGAZINE
“A delicious slice of indie pop, arch like prime Nada Surf but delivered with the coolness personified of Stephen Malkmus.”
SUBBA CULTCHA
“Classic songs. Ever feel like you don’t hear enough of them? This hook-driven quartet could just be the band you’re looking for. Taking influence from The Weakerthans, Ted Leo and Death Cab to name but three, there’s a healthy pop sensibility to MTTS’ intelligent brand of indie-pop, and tunes like “Great! Now I’m In Love” have a tendency to burrow into your skull and make themselves at home. Investigate immediately.”
THE FLY
“Married To The Sea, describe their music as ‘rowdy pop’ and the evidence here is that they deliver, albeit with a lot more refinement than that might suggest. “Time Plus Distance” might be a good example and it’s definitely a great start. It begins gently enough with grand indie melodies attached to proudly lolling bass lines; yet you’ll find yourself on something of an epic journey, where the highlights are suggested by a gentle flutter of distortion and where the harmonies swell like big waves. “Metropolitan” is a great chunk of leftfield pop pulsing on a heavy bass line and the ever so slight burble of electronica. On “Quite A Spell” the Liverpool based quartet then take a detour into a gentle series of acoustically carried melodies. “White On Pink” is their final giddy fusion of wild disco and driven math-pop, that seems to have the fun filled idea that it’s a combination of “Echo Beach” and the theme from “Flashdance”
(Hello Digger EP review) MANCHESTERMUSIC.CO.UK
